For Lilium Cosmetics, I created an eye-catching advertisement image that highlights both their facial cosmetics product and brand theme. Using only stock photography, I assembled an original scene in Adobe Photoshop, featuring a model surrounded by Lilly pads, a direct nod to the brand’s identity. The final image demonstrates advanced compositing techniques, with side-by-side visuals illustrating the seamless integration of various individual source images used to construct the finished artwork. This project showcases my ability to craft compelling, customized advertising visuals while adhering to strict creative constraints.

For Nightowl, I produced a striking marketing image featuring their flagship mounted security camera floodlight. The background image was originally generated with AI, but required significant modifications, including correcting a distorted American flag and its mount, as well as retouching the garage area. I used the products original CAD model of the security camera and imported it into Autodesk Maya to create and render an accurate, high-quality 3D representation, which I then seamlessly integrated into the scene. Using Adobe Photoshop, I composited all elements from various sources, meticulously refining colors, shadows, and lighting to create an enhanced and cohesive final image that meets the brand’s visual standards.

For Nightowl, I created a fully 3D dynamic marketing image displaying their security camera positioned on a kitchen counter while charging. Built from scratch in Autodesk Maya and CAD, the scene demonstrates my capabilities in 3D modeling, texturing, lighting, and rendering. Accompanying the final image is a duplicate version with all textures and materials removed, revealing the underlying white models and elements. This showcase highlights how a realistic, impactful marketing image can be produced entirely in 3D, while also illustrating my technical expertise in building and composing complex scenes.